Opinion
Ayo Olukotun: A requiem too early this dawn
By Tunde Olusunle
My brother, namesake and senior colleague, Tunde Ipinmisho it was who called me to convey the distressing information about Ayo Olukotun’s medical situation in the last week of December 2022. Olukotun, a professor of international relations at the Olabisi Onabanjo University, Ago-Iwoye, Ogun State, had suffered a massive stroke. He had been taken in at the intensive care unit Babcock University Teaching Hospital, Ago-Iwoye. Segun Ayobolu, also my “sibling” and fellow professional, corroborated the information the following day. He bemoaned the levity with which matters of healthcare, wellbeing, human life are treated in our country. For all four of us including Olukotun, the erstwhile Daily Times of Nigeria was a common denominator. We all met as professionals in that organisation. By some coincidence, we all came from the Okun-Yoruba extreme of contemporary Kogi State. Our shared professional careers, and maybe the fact of coming from the same sociocultural homeland, were adhesives and binders.
Wednesday January 4, 2023, just about a week after Ipinmisho passed to me the gravity of Olukotun’s situation, the sad news of his demise was in the air. He passed on in the early hours of the day leaving behind, bewildered biologically related nuclear and extended families. This is not forgetting his equally devastated outer concentric rings of critical affiliates and associates. Metaphorically, a whale had exited the waters of Okunland where he hailed from, where scholarship is the most important vocation only after subsistence farming. The media fraternity where he devoted a substantial quotient of his professional career, parri passu with the academia, had been robbed of one of their best and most diligent. The Nigerian, and indeed global intellectual community had been gruffly dispossessed of one of their most cerebral, most prized, most rigorous, colleagues and compatriots, albeit a very unobtrusive one at that.
The subsequent outpouring of grief from the highest quarters, is evidence of the veneration and esteem Olukotun was held. From Muhammadu Buhari, Nigeria’s President, through Speaker of the House of Representatives, Femi Gbajabiamila, the attendant lachrymose has been most palpable. Olukotun’s countrymen as well as colleagues in the media and academia, still wield their tear-soaked handkerchiefs in mournful despair. Eyitayo Lambo, distinguished professor and former health minister; Olu Obafemi, Emeritus professor and recipient of the 2018 Nigerian National Order of Merit, (NNOM), and Gabriel Godini Darah, renowned professor of oral literature, are shattered by the news of Olukotun’s exit. Toyin Falola, renowned historian, professor and soul mate of Olukotun; Yemi Akinwumi, also a reputable professor of history and vice chancellor of the Federal University Lokoja, (FUL), are variously stung by the development. Gbenga Ibileye, a professor of English at FUL; Rafiu Olusola Enikanolaye, retired career ambassador and former student of Olukotun; Ngozi Anyaegbunam and Ndubuisi Ugbede, Olukotun’s former colleagues in the primordial Daily Times conglomerate, are most pained.
I had caught glimpses of Olukotun around and about the University of Ilorin, around the late 1980s. I was a postgraduate student at the institution between 1987 and 1989, and I saw him not on a few occasions. We were to meet subsequently at the erstwhile Daily Times of Nigeria Plc, where I worked between 1990 and 1998. Yemi Ogunbiyi, the revered scholar, author and administrator was leading a major revolution and reorganisation in the organisation and opened up space for academics and media professionals alike. While I made the rounds filing my professional dentition from the features desk of Sunday Times through Daily Times beginning from 1990, Olukotun joined the newspaper behemoth in 1991, as Member of the Editorial Board.
A documented creation of Stanley Macebuh, serial midwife of several newspapers in his time, the concept of the Editorial Board has since been adopted across board in the media. The Editorial Board was something of an exclusive faculty of academics and professionals, indeed some kind of coven or cult of media eggheads. It met on scheduled days of the week to distil and dilate topics of sociopolitical contemporaneity for further espousal. Notable scholars like Chidi Amuta, Darah, Anyaegbunam, Omar Farouk, among others, populated the Daily Times Editorial Board in that era. I was deployed to the Editorial Board in 1993, which brought me closer than ever, to Olukotun. For us his younger colleagues and friends, it was more convenient to call him Boda Ayo or Egbon, as we do in our parts of Nigeria.
His hair and face were already interspersed with grey strands at the time, which in some cultures is physical evidence of wisdom and knowledge. His doctorate was yet on the way, but he was already playing the part of an authentic intellectual. He was already well published in books and journals at that time by the way, so was thoroughly grounded. The quantum quality he breathed, spoke volumes of his deep immersion in scholarship. Olukotun’s contributions to discourse were typically robust, properly processed and distinctly profound. He emitted rooted knowledge, his grasp of English bore the patent of “native language speaker competence.” He had his way with words.
While undertaking a self-imposed appeal for fiscal support for one of our distressed younger colleagues those days, I remember him asking me: “Tunde, what is your resource profile like? I’m leading a broad-spectrum solicitation for a beleaguered younger colleague.” I was momentarily hit by the high falutin words, but had to process it speedily and spontaneously to advance a response. That was the humanist in Olukotun. That was the manner of elevated contributions and interventions he brought into our Editorial Board encounters. He was ideologically aligned towards the left, his perspectives as a radical scholar, added pith to our engagements. He regularly alluded to Bade Onimode, Claude Ake, Adebayo Olukoshi, Toyin Falola, Omafume Onoge, Onigu Otite, in our typically lively editorial contestations.
Ayo Olukotun would have been 70, May 2, 2023. He was born in Jege, a community in Yagba East local government area, (LGA) of Kogi State. He was the archetypal eni ti o ti apata dide, one who emerged from the hard ground of the rock, intent on carving a niche for himself, irrespective of life’s challenges. He was educated at the famous Titcombe College, Egbe, Yagba West LGA, between 1965 and 1969. He served early warning of his imminent disposition to the academia, earning five distinctions in the West African School Certificate Examination, (WASCE), which he wrote in his final year. Titcombe college is reputed to have produced several icons on the nation’s national stage, notably: Tunji Arosanyin, (of blessed memory), easily one of the first attorneys from Okunland and Samuel Afolayan, retired vice admiral and former Chief of Naval Staff, (CNS). Olu Obafemi, Emeritus Professor and Samuel Ibiyemi, (departed), professor of engineering and former Vice Chancellor, (VC), Achievers University, Ondo State, were also groomed in the same institution. The much younger Pius Adesanmi, erstwhile Canada-based professor of literature and African Studies at the Carleton University, Ottawa, Canada, who died March 10, 2019, in the Ethiopian Airlines crash, attended the same institution.
Olukotun was something of a “career student” of the Obafemi Awolowo University, (OAU), from the primordial years of the institution’s nomenclature of “University of Ife,” (Unife). He obtained all his three degrees, bachelors to doctorate from that citadel in 1976; 1982 and 2006, respectively. He was a unionist who was Secretary and President of the Students’ Union respectively, at various times. As a student leader, he was at the fore of presenting to the public, a counter narrative to the rot and decay perpetuated by successive military governments in Nigeria. He cut his teeth as a socially committed intellectual, beginning from his days as a young student.
He lived his life between the classroom and the newsroom, having lectured in half a dozen universities during his lifetime. He was at the Ahmadu Bello University, (ABU), Zaria, 1977 to 1988, as well as the Lagos State University, (LASU) and the University of Lagos, (Unilag), concurrently between 2002 to 2007. He was appointed professor of p olitical science at Lead University, Ibadan, where he worked between 2007 and 2014, and was visiting professor of international relations at OAU, between 2015 and 2016. He became “Distinguished Governance Professor,” at the Olabisi Onabanjo University, (OOU), Ago-Iwoye, where he occupies the “Oba Sikiru Kayode Adetona Professorial Chair of Governance.”
As the true journalist and public scholars he subsequently served on the Editorial Boards of: The Nigerian Compass, Nigerian Tribune, Daily Independent, and Anchor Newspapers respectively. He was also a columnist in many publications, including The Punch where he sustained a much awaited column, beginning from 2013. He received the Diamond Awards for Media Excellence, (DAME), for informed commentary in 2013. He authored, edited and co-edited many reference academic books including: Repressive State and Resurgent Media in Nigeria, (2004), and Political Communication in Africa, (2016, which he co-edited with Sharon Omotoso). He also wrote: Watchdogs or Captured Media? A Study of the Role of the Media in Nigeria’s Emergent Democracy: 1999- 2016. With Femi Sonaike, another eminent mass communications scholar, he wrote Jose: The Ideas Man. Olukotun had well over half a century academic papers published in international monographs, books and journals.
Obafemi is saddened by the demise of Olukotun who had been his friend from their undergraduate days. He describes Olukotun as “a top flying scholar, and a renowned political scientist, and an engaging public and media intellectual, rolled into one.” For Obafemi, Olukotun’s demise deprives Okunland, the academia, the media world and humanity at large. Lambo describes Olukotun’s departure as “very sad indeed.” He prayed God to “minister peace to his family.” Darah laments Olukotun’s demise as a “monumental loss to African intellectual heritage.” Akinwumi exclaims: “Jesus Christ! When did he die? This is a corporate loss to global scholarship. He was a very sound and objective scholar. He was progressively-minded and ever on the side of the downtrodden masses. He was a diehard Nigerian and a lover of humanity. He will be difficult to replace.”
Anyaegbunam is startled and reminisces about a most poignant conversation she had with him sometime last year. “We discussed career fulfilment and the japa trend. We laughed then, but thinking back now… May his kind soul rest in perfect peace.” Ibileye describes Olukotun as “one of the brightest of the Okun nation.” According to him, “he was one of the most deeply insightful and prolific contemporary Nigerian thinkers… I’m pained by the demise of this patriot, thinker, scholar and fine specimen of humanity.” Enikanolaye recalls that Olukotun “taught me world contemporary history as a young “Graduate Assistant” at the School of Basic Studies, (SBS), in ABU, Zaria. His depth of knowledge and analytical capacity was outstanding… He delivered his lectures without written notes, dress in jeans and T-shirts.”
The Wednesday January 4, 2023, departure of Professor Ayo
was not a nice way to welcome the dawn of a new year. But who are we to question the whims of the Almighty? Olukotun is survived by his wife, Stella and two sons, Temitope and Oluwatomisin, both young adults. Members of his extended family include: Bola Ola-Oluwa, an elder and head of the family; Caroline Oriowo; J.S. Olayemi; Kunle Olukotun, (architect and younger brother); Funmi Abasi and Iyadunni Babatimehin.
Tunde Olusunle, PhD, poet, journalist, scholar and author is a Member of the Nigerian Guild of Editors, (NGE).
By Hamza Lamisi
No doubt that one of the expected big game Changers of the 10th National Assembly, particularly the Senate, is the emergence of a vocal voice who ran one of the country’s most persecuted election campaigns in Nigeria’s history. From the feminine gender in a male dominated political ecosystem to being transracial in a highly conservative District; a Christian in Muslim-saturated bargain table of stakeholders, from being single to inter-tribally married in a natively and culturally republic Ebira Land. Not only to contest in a struggling opposition party but to face the most ruthless Chief Security Officer of her State, from her District.
The odds were obviously too many but Senator Natasha Akpoti-Uduaghan upturned the guess – defeating the threatening ruling party and emerging the first female Senator Kogi State ever produced. She defined the turning point of Kogi Central’s representation in Nigeria’s bicameral Parliament. Unlike her colleagues from Kogi State who rode on the backing of the number one citizen of the State, Senator Natasha’s road to the red Chambers was never paved, it was a tough and rough journey of determination, persistence, unwavering dedication and commitment to a dream held in trust for the people.
She walked through the storms and she is shaped by the lessons – to remain bold, assertive, unbroken, unbeaten and unbowed by any circumstance, because only by struggle and perseverance freedom comes. Not unaware of the systemic dialogue, lobby and collaboration but Senator Natasha would not do so at the expense or in exchange of the People’s trust and mandate for which she swore oath to protect.
Stepping into the Senate as a survivor of election and litigation battles, and looking back to the unwavering support and uncommon trust of Kogi people and Nigerians by extension, notwithstanding already some months behind her fellow law makers, Senator Natasha was prepared to have the end justify the means. Barely 16 months from the very day of her swearing-in till date, Senator Natasha’s contributions and impact in the 10th Senate have left many wonder if she was a first time Senator or one elected from the minority opposition. Most popular and best performing member of the current National Assembly.
Just within one year in office, Senator Natasha Akpoti-Uduaghan lit 30 kilometers of road networks across Kogi Central with over 2,000 solar powered streetlights. Over 1,300 women and youth were trained and empowered by the law maker. Senator Natasha has supported the tuition fee of over 353 vulnerable indigenous students at tertiary institutions nationwide. She has faciliated federal employment opportunities for various graduates and facilitate capacity building trainings and empowerment for many others.
She brought a reliable supply of portable water to Kogi Central communities with 12 water reticulation projects with each being a massive 50,000-liter solar-powered motorized water system, which serves 300 locations and provides, 1,800 fetching taps.
To draw legislation closer to the grassroot, Senator Natasha engaged 100 constituency aides both men and women across the 57 wards in Kogi Central. She has distributed 12 trucks of grains, 10, 000 wrappers for women, 20,000 notebooks, 5,000 school bags and reconstructed and remodeled Abdul Aziz Attah Memorial College Okene (AAAMCO), Okene to smart school.
Within one year in office, Senator Natasha has attracted employments in both federal agencies and private organizations to over 30 graduates from her constituency.
Ihima community has been without police station for the past 7 years, Senator Natasha embarked on total reconstruction of Ihima Police Station which was commissioned by the Inspector-General of Police, Kayode Egbetokun.
Senator Natasha distributed 4 trucks of fertilizers totalling 2,400 bags of NPK and Urea fertilizers to Kogi Central farmers. Free Business CAC registration of 2,500 SMEs. She has empowered Kogi Central students from 12 selected tertiary institutions across Nigeria with multipurpose business cart and start up fund.
Commissioned six constituency offices in the five LGAs to make government closer to the people. Senator Natasha has sponsored two motions and two bills including the bill for the establishment of Nigeria Gold Reserve, the bill for the establishment of Ihima Federal Medical Centre, motion to investigate alleged corruption and inefficiency in Ajaokuta Company Ltd and National Iron Ore Mining Company, NIOMCO amongst other.
Senator Natasha has provided 5,000 digital learning devices to both public primary and secondary schools in Kogi Central.
For her magical achievements in office and accelerated development and impact her constituency has witnessed, Senator Natasha has received and even turned down several prestigious awards. She emerged Senator of the year 2024 which is her first year in office as Senator.
Achieving these feats in less than 16 months as a first time Senator and one from the minority party and from Kogi Central, one may wonder what could be the Achilles’ Heels of Senator Natasha Akpoti-Uduaghan in the 10th Senate and why the persecution by supposed colleagues in the Chambers. Is there a question of loyalty to individual rather than institution? Is it her performance record or her dedication to the business of legislation rather than playing the cheap political cards around the leadership of the Senate? Is it her idea of universal development of Nigeria rather than regional? After all, every Senator is of the Federal Republic Nigeria and should think and act so.
We may ask further; is anyone being threatened by her uncommon pace? Is there a question of envy or jealousy among her colleagues? Do they expect Senator Natasha to be one step behind, considering the enormity of the task on her shoulders as Senator from an already underrepresented District in the past? Is there a fear that Senator Natasha may reveal to Nigerians what is due to them from their representatives across boards? We may have more to ask than provide answers.
Meanwhile, Senator Natasha is a more than equal to the task of addressing the challenges that come with standing out in an uncommon manner. She is not one to be taught the difference between ‘diplomacy and cold slavery’ or ‘breach of rules and violation of right’. Nobody can silence her or box her to a corner of the Senate. Beyond her voice and impact over the years as an ordinary citizen, the people have been her greatest strength and she can only get more strengthed by any attempt to silence her.
Nigerians know how rare it is to have a NATASHA among the current crop of leaders and they are obviously making sure she is protected against bully, intimidation or harassment in the Senate. The dream is of the people, by the people and for the people, and so the mandate too.
By Professor Mike Ozekhome, SAN, CON, OFR, LL.D.
I have carefully read and listened to former Nigerian military president, General Ibrahim
Badamosi Babagida’s public remorse and regrets over the atrocious annulment of the June
12,1993 presidential elections. He did this 32 whopping years later. I want to very quickly say
that it takes a man with strong guts and balls and a man who has become repentant, born
again and has seen the face of God to publicly recant his earlier wrongful deeds and offer
public apology to the entire nation. This was no doubt meant to heal gapinng wounds and
balm wounded and bruised hearts.
The polls, the best, most transparent and credible elections, ever held in Nigeria till date,
were meant to end decades of military d The annulment threw Nigeria into turmoil and
widespread unreast, protests, maimings and killings. This forced Babagida to “step aside”;
the enthronenent of the Enest Shonekan’s Interim Government; and the arrest and detention
of Chief Moshood Abiola, the presumed winner who later died in Aso Villa in questionable
and suspicious circumstances. Of course, General Sani Abacha who was his second in
command later sacked Shonekan in a bloodless coup. For years, IBB prevaricated on the
annulment, claiming he did it in the best national interest. But on Thursday the 21st of
February, 2025,Babangida during the presentation of his memoirs, “A journey In Service”,
pointedly regretted in the public: “I regret June 12. I accept full responsibility for the
decisions taken and June 12 happened under my watch. Mistakes, missteps happened
in quick succession. That accident of history is most regrettable. The nation is entitled
to expect my expression of regret “. And wait for it:: he acknowledged for the first time that
Abiola won the elections fair and square, trouncing his major opponent, Alhaji Bashir Tofa.
I want to salute Babagida for having the courage and humility to own up like a man; that
everything that happened during the June 12 crisis took place under him as the head of state
and the president who was also the Commander-in-Chief of the Armed Forces of the Federal
Republic of Nigeria. I salute him for acknowledging that his government which actually
organised unarguably the freest, fairest and most credible elections in the electoral history
of Nigeria when it introduced option A4 from electoral books that were hithenlrto unknown
to Nigeria or to the world. But unfortunately, regrettably like he now admits, he again turned
around to annul the same elections in a way that was most bizarre, curious and unnatural.
To me, that he has come out to open up to doing something wrong and egregious to a
bleeding nation should be appreciated. I believe that Nigerians should forgive him because
to err is human and to forgive is divine ( Eph 4:32 ). I personally have now forgiven him
because I was also a victim of the June12 crisis. It threw up all manners of challenges to me
as a person, where in my very youthful age; in my thirties, I found myself marching on the
streets of Lagos every day- from Ikeja bus stop roundabout, to Ikorodu road; up to Tejuosho
market; from there to Ojuelegba, Surulere; to Mushin; to Shomolu and Igando, Alimosho.
Everyday, we were on the streets, protesting the mindless annulment. Some of us were killed
in process; some were lucky enough to escape abroad on self exile. But some of us- very few
indeed- refused to flee our dear country; we stayed back. We stared at the military eyeball to
eyeball. We challenge authority and spoke truth to power. We challenged impunity and
repression. I suffered several detentions across different detention centres. I virtually could
not find means of livelihood for my youthful family because I was profiled, my phones bugged
and no briefs were coming in. But I personally forgive him because it takes tons of guts to
make public confession of having erred and atone for same as he has now done.
It is confession that leads to penance and penance leads to restitution and then forgiveness.
If Babagida were to die today, I believe that he will see the face of God because he has prayed
God to forgive him; and he has prayed Nigerians to forgive him. Beyond that historic and
epochal mistake of the annulment of the June 12 election which constitutes his original sin,
let me place it on record that Babagida is one of the greatest presidents that Nigeria ever had
in terms of his ingenuity, rulership mantra; ideas for national resurgimento; ideas that
contributed greatly to nation-building. These were aside the IMF-induced loans and pills
which he introduced and which we again valiantly fought against successfully.
Babagida it was who gave birth to the Federal Capital Territory and laid the solid foundation for virtually everything you see there today. His government was peopled by intellectuals and
not by half illiterates and quacks. He recognized and used intellects. He was luminous and he built bridges of understanding, friendship and brotherhood across Nigeria. Nigerians,
please, accept IBB’s confession and forgive him his sin of annuling the June 12,1993
elections. Let the wounds heal; let the heart melt; and let the spirit of national triumphalism
prevail.
Festivals world over are the most popular forms of celebrations in human existence. Whether as religious, culture, sports, film, arts and other traditional practices, festivals are pivotal events that could involve millions of people in the case of the religion related across the globe annually or periodically. They are events that bring people together and are characterized with merriments, ceremonies, and a lot of other forms of fun and bonding.
Nigeria as a multi ethnic and diverse society with over 250 ethnic groups is enriched with various forms of festivals observed annually with those of religions most prominent with the celebrations by Muslims and Christians. Similarly, the traditional worshippers retain their own forms of festivals all depending on the tribes and the culture involved. Several among the religious and cultural festivals in Nigeria include Christmas the celebration of the birthday of Jesus Christ, the Easter that heralds lent and the resurrection of Jesus after death while Islam has Eid-el Kabir and Eid El-fitri which is breaking of Ramadan fasting. At the level of culture and tradition there other festivals that comes to mind that includes Argungu fishing festival in Kebbi state, the new yam festival predominantly among the Ibo speaking tribes, Durbar festival, Calabar Carnival, Osun festival, Ojude Oba festival, Igue festival among the Benin people of Edo state, Oro festival, Osun festival, Sango festival, Egungun festival all among the Yoruba people, New Yam festival, Eyo festival popular among the people of Lagos Island in Lagos state and so on.
Durbar Festival
The word Durbar is traced to Persian and is connected with the ceremony marking the installation of Queen Victoria as the Express of Colonial India in 1877 while the word have been pronounced and propounded as “darbar” with dar meaning door and bar meaning entry or audience in Hindi-Urdu. In Nigeria, Durbar is a treasured cultural horse riding and display festival majorly among the Hausa people of the northern Nigeria to mark the Islamic holidays of Eid-el- Fitri [end of Ramadan} and Eid-el-Adha [the feast of the lamb]. The over 400 years old practice is said to have been introduced by Sarki Muhammadu Rumfa of Kano in the late 14th century as military parade and display when horses were used in battles to defend and protect the Emirate and also the opportunity to pay homage and demonstrate loyalty to the emir. It is also part of demonstration to showcase the readiness of the palace troops for battles and to also celebrate important political events. Available information has it that the first major Durbar in the country took place on the 1st of January, 1900 as part of the celebration to mark the transition of the Royal Niger Company to an imperial Protectorate.
Also known as horse ride festival it is worthy of note that horses and to some extent camels played prominent roles in the growth and developments of the today prominent Nigeria cities like Kano, Katsina, Zaria, Sokoto and Bida. In the 14th century before the sojourn of Christopher Columbus, aside being used during conquest and in battlefields under the command of the Madawaki who leads cavalry of horsemen with their horses loaded with various weapons, horses were used mostly for commercial activities particularly the trans Sahara trade expansion with items like salt, gold and farm produces.
Ceremonies
The activities and ceremonies involves “Hawan sallah” in Hausa language {meaning Mount of Eid} which in essence connotes the mounting of horse during the Eid or sallah celebration. The ceremonies begin with prayers at Eid grounds followed with parade of the Emir and his entourage on horses followed with drummers and trumpeters with the movement ending at the Emir’s palace. The parade includes hundreds of beautifully decorated horses with nobles in their best clothes followed by musicians and magicians all in a long procession in distinctive turbans {Rawani} clearly indicating their nobility and social status through streets to pay homage to the Emir. Other special attractions particularly in Kano Durbar which is acclaimed to possess the biggest parade of colouful horses in the world, include the display by the “hyena man” who carries out street performance with trained animals like hyenas and baboons which create a lot of excitements and entertainment for the hundreds of crowd in attendance.
The procession of the strictly male event showcases participants dressed in flamboyant turbans and robes with modes indicating their royal linage. Kano Durbar for example is four day event that commences with Hawan sallah on the day of Eid followed by the day 2 and most popular for its entertainment and glamour Hawan Daushe for the special visitation of the Emir and his colourful entourage to his mother in her domain. The display of various entertainers including magicians, drummers, dancers, stunt men and masquerades attract and witness the attendance and spectators across the globe. The other two days are for Hawan Nassarawa and finally Hawan Doriya which are both continuous aspects for merriment during the festival.
The Emir’s return from his mother’s visitation on the day 2 {Hawan Daushe} is followed by The Jahi that sees the him and his entourage ride through various important historical quarters and families before returning to the palace. On arrival the Emir in a military manner takes position to receive salutes and traditional greetings from the cavalry of riders along with the various district heads, their families and entourage in order of hierarchy. This is followed by the demonstration of loyalty and gallantry by all the riders and spectators present. After the homage and performances, [The Jahi] the palace guards take positions and fire several gunshots to signal the closure and end of the day and most important aspect of the four day festival.
Durbar festival has become annual festival celebrated across cities Northern Muslim dominated cities of Nigeria like Kano, Katsina, Sokoto, Zaria and Bida and was extended to Ilorin in Kwara state during Eid el-fitri and Eid El-Adha. Generally speaking, the Durbar festival is not just the most population cultural heritage of the Hausa people of the northern Nigeria and major parts of Niger republic but it is festival that unite and bring the people together to celebrate their unique historical and cultural heritage.
Durbar festival recently has witnessed more activities like car racing and other fun fairs that attract sons and daughters of Hausa decent, visitors and tourist annually to places like Kano, Katsina and Zaria. The glamour, popularity and attractions of Durbar particularly the Kano Durbar festival over the years, led to the recognition of the festival as one of the Intangible Cultural Heritage of Humanity by the UNESCO in in December 17, 2024. This laudable and significant achievement in the nation’s cultural heritage exemplified the extent to which the festival has become popular to the people and the role it places towards unifying the people through their rich cultural heritage. During the presentation of the UNESCO certificate, by the Permanent Delegation of Nigeria to UNESCO to the Minister of Art, Culture, Tourism and Creative Economy Barr. Hannatu Musawa, opined that the great achievement does “not only celebrates the beauty and unity of the festival but also creates opportunities for the preservation and promotion of cultural heritage. The country’s representative at the UNESCO in addition stated that “Having the Kano Durbar on the UNESCO list is a huge milestone for Nigeria” while the Minister in her view remarked that “the recognitions bring both international prestige and tangible benefits to the local economy”.
In comparison, while Ujude Oba yet another similar festival of the Ijebu people of Ogun state in Western Nigeria, entails the participation of both male and female across various age groups as part of the big sallah [Eid-edha] celebration of the Muslim faithful. While both festivals identify or are associated with royalty, palace events and horse riding, durbar is strictly a male show and more of an horse riding festival while the practice is just an aspect of horse riding is just an aspect of Ojude Oba festival.
It is hope that the recent drive by the present administration leverages on the recent recognition of Durbar by the UNESCO to create more awareness through wider media coverage with a view of boosting general interest and tourist attractions which shall cascade or stimulate growth of the sector and also serve as source revenue to the governments across all levels.
Abdulkareem A. Ikharo.
Curator [NCMM].
Abuja.
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