Culture
Bomb Explosion: Bello moves to tame Ohinoyi over Buhari’s visit
The Kogi State Government is not taking lightly an alleged insubordination by the Ohinoyi of Ebiraland, Dr Ado Ibrahim, who was accused of blatantly refusing to welcome President Muhammadu Buhari when he visited the state last weekThe state Government has gone ahead to issue a query to the revered Paramount king over what it described as insubordination.
President Buhari visited Kogi last year on December 29th to inaugurate some legacy projects built by Governor Yahaya Bello.
Shortly before the arrival of the President at the venue of the event, a bomb explosion caused pandemonium at the palace of the Ohinoyi of Ebiraland, which claimed at least four persons’ lives while some others received various degrees of injuries.
The letter of query which was addressed to the king and was signed by the director of chieftaincy affairs, ministry of Local Government Enimola Eniola reads,
“It has been observed with serious concern that you have exhibited deliberate attitude and actions capable of bringing Kogi State and Ebira land in particular to grave disrepute. These actions are quite unbecoming of a revered Royal Father of your status.
“Specifically, you were aware through many fora of the glorious visit of Mr. President and Commander-in-Chief of Nigerian Armed Forces, His Excellency, President Muhammadu Buhari to Okene on 29th December, 2022 to commission land mark projects executed by our dear Governor, His Excellency, Alh. Yahaya Bello. In a flagrant disregard to the persons and high offices of the President and the Governor, you bluntly refused to come out and receive the President at the designated venue rightly approved by the Executive Governor of the State.
“It might interest you to note that official courtesy demands that when a personality of a President occupying the highest office in the land is visiting or even passing through the State, the Governor and top Public Officers including topmost Traditional Rulers are expected to receive him as a mark of respect for him and the Office he occupies. It is on record that in time past, Topmost Traditional Rulers, including the President, Kogi State Council of Chiefs do receive the Governor of the State on his return from critical missions undertaken on behalf of the State. But, you have chosen to disdain the office of the Executive Governor, and this time, you did it with effrontery before the number one citizen of Nigeria.
“This action of yours is an act of insubordination and disloyalty to the President and Commander-in-Chief of Nigerian Armed Forces, the Executive Governor of Kogi State and the entire Ebira nation as a whole. It portends grave danger to the Security of the State and laying bad precedence for Traditional Institution of the State.”
In the letter, the Ohinoyi of Ebiraland was ordered to forward a written explanation within 48 hours of why disciplinary action should not be taken against him for his actions described as insubordination and disloyalty.
“Oral explanations may be required from you when a panel is set up to study your case. It is expected that you will accord priority to the content of this letter, Your Royal Majesty,” the letter stated.
In a bid to reposition Nigeria as the epicenter of African culture, tourism, and economic growth, the Minister of Art, Culture, Tourism, and Creative Economy, Barrister Hannatu Musa Musawa, has partnered with Discover Motherland Africa to launch the Motherland 2025 initiative. 
The project, unveiled at the Abuja Continental Hotel on Monday, is aimed at transforming Nigeria into a global cultural hub, drawing in diaspora communities, investors, and tourists alike.
Speaking at the event, Minister Musawa described Motherland 2025 as “more than a festival”—a transformative movement that aligns with the Federal Ministry’s Destination 2030: Nigeria Everywhere strategy.
She highlighted how the initiative leverages Nigeria’s rich cultural heritage and tourism potential to foster global engagement and drive economic growth.
“Motherland 2025 is more than a festival—it’s a homecoming. A movement inviting our global brothers and sisters to reconnect with their heritage while contributing to Nigeria’s economic and cultural renaissance,” Musawa said. “This is a call to the Diaspora and beyond. From investors and policymakers to cultural leaders and travelers, this initiative invites global stakeholders to experience and invest in Nigeria’s resurgence as a cultural and economic powerhouse.”
A statement be the media adviser to the Minister, Nneka Ikem Anibeze in a statement explained that the initiative includes a wide range of programs designed to engage both Nigerians and the global community in a week-long celebration featuring State Pavilions, Business Exhibitions, and cultural showcases from Nigeria’s 36 states and the FCT.
According to the statement it will also feature A photo and video contest encouraging participants to depict Nigeria’s landscapes, traditions, and communities through visual storytelling.
Explaining further the statement said it will feature a centralized platform simplifying travel logistics for both domestic and international visitors.
A groundbreaking scheme allowing diaspora members and foreign investors to gain citizenship through national development contributions will also be unveiled according to the statement.
The media adviser also pointed out that a dedicated initiative to streamline the integration of diaspora communities into Nigeria’s social and economic landscape.
She said there will be an event recognizing outstanding diaspora leaders who have made significant contributions in their respective fields.
“The festival will conclude with a high-energy concert featuring top Nigerian and international artists, celebrating the nation’s vibrant music scene.
She quoted the minister, Musawa to have also emphasized the need for collaboration between government agencies, ministries, and the private sector to ensure the success of the initiative.
“The success of Motherland 2025 relies on strong partnerships. We invite policymakers, cultural institutions, investors, and development organizations to join forces in shaping Nigeria’s tourism and creative economy,” she said.
In her remarks, Chidimma Nwankwo, Managing Director of Discover Motherland Africa, underscored the initiative’s role in reconnecting the Nigerian diaspora to their roots while unlocking opportunities for investment and cultural pride.
“Motherland is a homecoming. It is a journey. It is a commitment. This December, we invite the global diaspora to experience Nigeria like never before—not as visitors, but as participants in a redefined vision of tourism,” Nwankwo said. “Whether you are part of the diaspora, a first-generation Nigerian, or someone who has never set foot in Nigeria, this is your invitation. Not just to visit, but to engage, to contribute, and to become part of something bigger.”
Motherland 2025 is expected to attract thousands of participants from across the globe, solidifying Nigeria’s role as a leader in Africa’s cultural, economic, and tourism sectors.
***Public-Private Partnership to Transform Cultural, Tourism, Creative Sectors
The Federal Executive Council (FEC) has approved the establishment of the Creative and Tourism Infrastructure Corporation (CTIC), a Special Purpose Vehicle (SPV) designed to bridge the infrastructure gap in Nigeria’s tourism and creative industries.
The initiative, spearheaded by the Minister of Art, Culture, Tourism, and the Creative Economy, Hannatu Musawa, was presented at Monday’s FEC meeting and is positioned to drive economic diversification, job creation, and cultural preservation.
Special Adviser on Media & Publicity to the minister, Dr. Nneka Ikem Anibeze in a statement indicated that the
CTIC will operate under a public-private partnership model, attracting local and international investors to fund and develop world-class infrastructure that supports the creative sector.
The goal is to generate $100 billion for the Nigerian economy and create 2 million jobs, aligning with Presidential Priority 7 on economic diversification.
Key Features of CTIC according to the statement included Strategic Partnerships by Engaging AFREXIM, IFC, World Bank, AfDB, AFD, EU, Ford & Rockefeller Foundations, and UNESCO for funding and expertise.
The other feature according to the statement is Governance Structure whereby the Nigerian Government will hold a 25-49% minority stake through the Ministry of Finance Incorporated (MOFI), ensuring private-sector efficiency and leadership.
The statement listed Flagship Projects to include the rehabilitation of Obudu Resort and Yankari Game Reserve, development of Abuja Creative City and Creation of 5,000 cinema screens nationwide
Others are the Wole Soyinka Creative City in Lagos, Launch of a Centre for African Arts and a New Era for Nigeria’s Creative Economy
Minister Hannatu Musawa emphasized the importance of modern infrastructure in unlocking Nigeria’s full creative potential.
“Everyone recognizes Nigeria’s creativity—our films, music, and fashion dominate globally. But without the right infrastructure, we can’t maximize this potential. Imagine if ‘Detty December’ in Lagos had world-class venues—the economic impact would be exponential.”
The CTIC approval is signal a major shift towards making Nigeria a global hub for tourism, film, music, and cultural heritage, positioning the country as a leading player in the global creative economy.
With FEC’s approval, the government is set to mobilize investors, develop priority projects, and implement innovative financing models to bring this vision to life.
The Federal Ministry of Art, Culture, Tourism, and Creative Economy, in collaboration with MADhouse by Tikera Africa, has launched a call for applications for the ‘Re-imagining Hope Residency’, a 6-week immersive program designed to empower Nigerian creatives.
Special adviser on media and publicity to the minister Dr. Nneka Ikem Anibeze in a statement indicated that the residency will select 20 exceptional visual artists from across Nigeria and provide them with a structured mentorship experience, collaborative workshops, and open studio events aimed at addressing societal challenges through artistic expression.
The statement quoted the Honourable Minister of Art, Culture, Tourism, and Creative Economy, Barrister Hannatu Musa Musawa, to indicated that the initiative is a strategic step towards harnessing the power of creativity for national development.
“This program underscores the critical role of the creative industry in shaping national identity and addressing societal challenges. By empowering our creatives, we are investing in Nigeria’s future as a cultural and artistic powerhouse,” Musawa stated.
Osarume Akenzua, the Director of Innovation and Enterprise at Tikera Africa, highlighted the program’s broader impact, noting that:
“This residency is more than an artistic journey; it is a mission to re-imagine how art can build bridges, inspire unity, and catalyze change in the creative economy.”
The residency will run in two streams during the first and second quarters of 2025, providing participants with access to state-of-the-art facilities, shared studio spaces, and cultural excursions designed to deepen their connection to Nigeria’s heritage.
Application Details
Deadline: February 15, 2025
Apply via: https://clapnigeria.taplink.ws/
About MADhouse
MADhouse is a creative enterprise incubator dedicated to fostering creativity, innovation, and cultural preservation in Nigeria.
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